Who is Steve James?


Jamaican photographer Steve James is a highly sought-after cameraman to cover concerts, album launches and special events.  From the moment he first saw the magic of photos being developed in the dark room during a hobbyist course in high school he became intrigued with the art of visual storytelling, and he’s been enthralled with it ever since. Because just like his other major love, reggae music, Steve believes images have the power to capture special moments in time that touch people’s hearts, regardless of who or where they are.

Over the span of three decades, James’ work, which alternates between energetic stage performance photos to thoughtful portraiture and candid behind-the-scenes shots, has appeared in, books, Billboard Magazine, The Jamaican Gleaner, Riddim Magazine, Buzzz Magazine, The Jamaica Observer, Jamaicans. com and Echoes Magazine. He is also a regular contributor of images, articles, news and CD reviews to one of the largest reggae websites in the world:  reggaeville.com.  Having also worked  in radio, James' curated knowledge and respect for reggae music as an art form is acutely displayed in the creative decisions he makes re his photographs, and that reverence resonates deeply with both musicians and fans alike. It is that unique quality which gains him unfiltered access to typically restricted people and places and sets his work apart.

IG contact: @semiyahsteve


Vivian 'Sugarlove 'Jones r.i.e.p

Vivian 'Sugarlove 'Jones and I met in the early nineties while I hosted the program Lovers Rock on Irie Fm. We connected instantly and he became  my point person in the UK as he introduced me to almost all the British artistes, musicians and producers.  I was his point person in Jamaica and introduced him to several key persons in the music industry and media.   Over the years we became much closer outside of music. VJ as I called him was a lover of good quality music, proud of his family roots, he was devoted to his rastafarian faith and a die hearted Manchester United fan. It was through him why I started supporting the Red Devils during their glory days. Each time he visited Jamaica he would always bring back a Man U memorabilia for me.

Born in Granville, Trelawny, Jamaica, in 1957, Jones relocated to England at the age of ten to join his parents who had emigrated there a few years earlier. They lived in and around London, moving between Willesden, Alperton and Harrow, with Jones becoming increasingly involved in the local reggae scene, and in the mid-1970s he began performing with sound systems, initially as a deejay.   In the 1970s he was a member of several bands including The Spartans, The Doctor Birds, the Mighty Vibes and the Pieces.   In 1980, he began to record as a solo artist, enjoying a hit that year with "Good Morning" (actually a remixed recording by the Mighty Vibes), which topped the UK reggae charts. The following year, he was voted "Most Talented Singer" in a poll for Black Echoes.  He had a series of hits, with his popularity also spreading to Jamaica. Disillusioned with the music industry, he returned to Jamaica in 1982 to stay with his grandparents, and also recorded some material there.

Jones returned to London and began work outside of music. He soon began recording again in his spare time, and his debut album, Bank Robbery, was released in 1984, and recorded with London band, Undivided Roots and Creation Rebel, whose members were Carlton "Bubblers" Ogilvie, Tony "Ruff Cut" Philips, Don Campbell  and Eskimo Fox ( who had trained at Alpha Boys School. Dubplate  versions of Flash It And Gwan from the album were particularly well-received on Jah Shaka's sound system, and Jones then went on to work with Jah Shaka and The Fasimbas, collaborating on the Jah Works album, released in 1987. Rarely seen footage of Jah Shaka playing Vivian Jones' Dubs features in Handsworh Songs, a 1986 British documentary film directed by John Akomfrah and produced by Lina Gopaul. It was filmed during the 1985 riots in Handsworth  and London and shown on Channel 4. The production company was the Black Audio Film Collective.

He also recorded in Jamaica for producers such as Bobby Digital, Blackbeard and Barry O'Hare  and recorded duets with Sylvia Tella, Debbie Gordon, and the late Deborahe Glasgow.   In the UK recorded for several producers and record labels  such as Jah Shaka, Ariwa, Jetstar, Ruff Cutt, Mafia & Fluxy  and Dub Vendor.    In the 1990s, Jones set up his own Imperial House label and became known primarily for his lovers rock material, enjoying big hits with "Sugar Love" and "Strong Love", but also recorded more roots-oriented music with albums such as Iyaman (1994). In 1991, he was named "Best Male Artist" in the British Reggae Industry Awards.  He enjoyed an international hit in the late 1990s with "Jah See Dem a Come".  In 2007, he released the album 50th, featuring old rhythms from producers such as Bunny Lee, to celebrate his 50th birthday. ] Lovers Rocking was released in 2013, and Jones recorded material in Jamaica with Sly & Robbie and Bobby Digital for an album planned for release in 2014. 

Jones died on 27 October 2025, at the age of 68.

R.I.E.P BARRY Gordon aka Barry G.

One of the great MC’s and radio broadcaster has left us. Barry Gordon aka Barry G.”The Boogie”